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Paula, (Renee O'Connor) an inspector for the Historic Trust, wraps up a successful and important project in the upper Midwest. On her way home to Chicago, she gets a call from her office and is asked to check out a new applicant. It's on her way anyway, and even though it's late on Friday, she takes a quick detour and heads to the site of once proud steamship along an industrial waterfront. The ships 400 foot black form looms against the sky, and collects dead fish in stagnant water near the pier. Moments after her arrival, her car is seriously disabled and her life is about to change forever. In the chaos that follows, she meets up with the self appointed caretaker, Vigs (Larry Joe Campbell) who is the odd caretaker on the ship. Making the best of a bad situation, she takes him up on his offer to spend the night in one of the cramped but historic staterooms. He invites her to dinner and bad beer...

6000 mensonges comes to the spectator as lightning in a clear sky. What starts as a recollection of prenatal images we are used to seeing suddenly becomes a dive into an unknown territory, in which the border between reality and fiction is no longer relevant. The result is a striking, haunting and powerful testimony of a devastating experience that is lived by many in silence, told in the most contemporary possible way. 源自：https://iffr.com/en/iffr/2024/films/6000-mensonges

At the close of Jacques Chirac's life, politician Jean-Louis Debré has wished to make a film to celebrate his friend, to tell the story of their friendship and professional understanding, and to make an intimate portrait of the former President of France through the accounts of a few very close friends. Thanks to Jean-Louis Debré's presence, Claude Chirac and some of Jacques Chirac's closest friends, famous or unknown, agreed to talk to the camera, sometimes for the first time, to evoke their untold-before memories and tell about the moments that bonded the two men for a lifetime.

Since 1967, Jacques Chirac has appeared everyday on television : millions of hours of automatic gestures, jerky speeches and feverish cavalcades. This mockumentary is based on archival footage and told at the first person (the voice of the French president is provided by imitator Didier Gustin). The main comic effect comes from the contradictions between the various speeches of the French President. The title comes from the title of the French-language version of Being John Malkovich.

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暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。